New Day Jazz
Justin Desmangles
This afternoon, in the 5 o'clock hour, poet, novelist, essayist, Will Alexander, returns to New Day Jazz.
Apprenticeship
... between impulses and repentances,
between advances and retreats.
—Octavio Paz, Eagle or Sun?
Here I am
posing in a mirror of scratch paper sonnets
sonnets as rare
as a live Aegean rhino
absorbing the cracklings of my craft
its riverine volcanoes
its spectacular lightning peninsulas
emitting plentiful creosote phantoms
from an ironic blizzard of unsettled pleromas
scouring through years of unrecognized pablums
of constant arch-rivalry with extinction
bringing up skulls of intensive discourse
by the claws in one’s mind
which seem to burn with systemic reduction
one then suffers poetic scorching by debris
by inaugural timber which flashes
by friction which flares up & harries
by unrecognized moltens collapsing in glass
of initial intuitive neglect
as if one’s fangs
were fatally stifled by incipience
by verbal range war didactics
by territorial driftwood
by sudden undemonstrative detractions
awed
by the diverse infernos of Trakl & Dante
one’s youngish body stands
devoured by reverential print trails
momentarily cancelled
by the loss of blasphemous nerves & upheaval
stung
by demeaning neutralities
ravaged
by a blank Sumatran solar psychosis
by a tasteless collision of rums in transition
by a conspiracy of obscured fertility by hubris
as one sucks in doubt from a wave of tumbling blister trees
there exists irradiations flecked with a gambled synecdoche
with indeterminate earthenware splinters
taking up
from aboriginal density
a forge of Sumerian verbal signs
cooked with a tendency
towards starfish hypnosis
towards psychic confrontational drainage
conducting one’s frictions in a torrential furnace of osmosis & ire
yes
apprenticeship
means poetry scrawled in unremitting leper’s mosaic
cringed in smoky interior cubicles
releasing various deleriums
as if pointed under a blackened Oedipal star
with its dark incapable tints
with its musical ruse of unspoken belladonna
poetics
an imaginal flash of Russian chamber lilies
stretching under a blue marsupial sun
like kaleidoscopic tumbleweed
fugaciously transfixed
upon an anomalous totem of glints
upon rainy Buenos Aires transfusions
above the urinal coppers of a flaming polar star rise
of course
kinetic
like magical malachite rivers
flowing from moons
blowing through the 3/4 summits of motionless anginas
I’ve looked
for only the tonalities that scorch
which bring to my lips wave after wave
of sensitivity by virulence
yes
a merciless bitterness
brewed by a blue-black tornado of verbs
in a surge of flashing scorpion chatter
in a dessicated storm of inferential parallels & voltage
like a scattered igneous wind
co-terminus with the bleeding hiatus & the resumption of breath
resolved by flash point edicts
by consumptive stellar limes
by curvature in tense proto-Bretonian fatigue
mixing magnets
juggling centripetal anti-podes & infinities
cracking the smoke of pure rupestral magentas
yes
hatcheries
floating through acetylene corruption of practiced mental restraint
to splendiferous vistas mingled with inspirational roulette
its mysteriums
always leaping like a grainy rash of scorching tarantellas
or leaking moon spun alloestrophas*
as if speaking
in irregular glossological green Dutch
a frenetic seminar on febricity
a reitteration of hendecasyllabic agitation & stinging
a ferocious vacillation
explosive as random “aggregational” nodes
mimed by a black consonantal dissection
its maximal priority
forked at “hypotactic inclusion”
with isochronous internal procedure
with ratios
with phonic penetralia by distortion
primed by anomalous “nuclear accent”
by a cadence composing syllables & compounds
yes
poetics
its force
jettisoned by “hypotaxis”
by ... paratactic co-ordination
& fire
(photo at right, Will Alexander, Venice, California; © 2013 Raman Rao)
Genre
Jazz
Missed the Show?
Sunday 2/08/2015 @ 3:00PM - 6:00PM
| Artist | Song | Album | Label | Comments |
|---|---|---|---|---|
| Darius Jones & Matthew Shipp | Celestial Fountain | The Darkseid Recital | AUM-Fidelity | |
| Darius Jones & Matthew Shipp | 2,327,694,748 | The Darkseid Recital | AUM-Fidelity | |
| Matthew Shipp Trio | In a Sentimental Mood | To Duke | RogueArt | |
| Matthew Shipp Trio | Satin Doll | To Duke | RougeArt | |
| Airbreak | ||||
| Roscoe Mitchell | Just Talking | Conversations II | Wide Hive | |
| Roscoe Mitchell | Next Step | Conversations II | Wide Hive | |
| Roscoe Mitchell | Fly Over and Stay Awhile | Conversations II | Wide Hive | |
| Farmers By Nature | Massalia | Love and Ghosts | AUM-Fidelity | |
| Airbreak | ||||
| Matthew Shipp Trio | Take the A Train | To Duke | RogueArt | |
| William Parker Orchestra | Take the A Train / Ebony Interlude (for Jimmy Hamilton) | Essence of Ellington: Live in Milano | Centering Records | |
| William Parker | Green Mountains (for Bill Dixon) | Crumbling in the Shadows is Fraulein Miller's Stale Cake | Centering Records | |
| Airbreak | ||||
| William Parker featuring Leena Conquest | If There's a Hell Below (excerpt) | I Plan to Stay a Believer: The Inside Songs of Curtis Mayfield | AUM-Fidelity | |
| Interview with Will Alexander by Justin Desmangles | Interview with Will Alexander by Justin Desmangles | Interview with Will Alexander by Justin Desmangles | Interview with Will Alexander by Justin Desmangles | |
| Roscoe Mitchell featuring Thomas Buckner | Would You Wear My Eyes? | Not Yet | Mutable | |