Upcoming Shows

Cruising thru Aztlan

Wham Bam Sam

Back babies! Special Purim edition y'all. 

Genre

lowriter oldies, hip hop, jazz

Friday 3/06/2015 @ 1:00AM - 2:00AM

The Kissing Booth

DJ Tanner

Genre

Folk, Indie, Punk, Post-punk, Dream Pop, Emo, Yeye

Friday 3/06/2015 @ 9:30AM - 11:00AM

Ya Blew It!

Silva & Rez

Genre

all music is bad.

Friday 3/06/2015 @ 11:00AM - 12:00PM

Speaking in Tongues

Richard Estes

Friday 3/06/2015 @ 5:00PM - 6:00PM

Sub Zero

TJ

Genre

Surf, Indie, Psychedelic, Garage, Blues

Friday 3/06/2015 @ 6:00PM - 8:00PM

Raise the Dead

The Blasphemer

Genre

The metal

Saturday 3/07/2015 @ 12:00AM - 2:00AM

The Isoelectric Point

Jelly & Kelly

Hi all! This show consists of the sole objective of opening our eyes to the world of electronic music, whether old or new while touching various types of genres, styles and emotions. We will hope you will enjoy! 

Genre

Eclectic, Electronic

Saturday 3/07/2015 @ 4:00AM - 6:00AM

Prog Rock Palace

Curtis Carroll & Rock Shurewood & DJ Markuss

Markuss here.  I'll start with a track from one of the bands that played a strong role in reimaging prog in the early 1980s, Twelfth Night.  Lots of international progressive rock on the show today, featuring Hesse Frohberg and Siena Root (Sweden), Rustichelli and Bordini (Italy), Entrance (Chile) and Karnivool (Australia). 

Aggie Sports comes in at 1:45 pm today, so a slightly shortened show.  Questions, comments, suggestions and requests?  Call me at: (530) 752-2777.  I can also be reached at: djmarkuss333@yahoo.com

Genre

Progressive Rock

Saturday 3/07/2015 @ 12:00PM - 2:00PM

The Island Radio Cafe Freeform

Gary B. Goode

This freeform show starts out with new reggae releases of both albums and Digital Singles.

Something different follows which usually includes some African music.

At 11 AM it's mostly new Latino/a releases.

Something different follows.

Mostly new releases of Hawai'ian music is at noon.

Something different might be thrown in afterwards.

Mostly older reggae and ska conclude.

Genre

reggae, ska, african, hawaiian, latino/latina, oldies

Sunday 3/08/2015 @ 10:00AM - 1:00PM

New Day Jazz

Justin Desmangles

This afternoon, in the 5 o'clock hour, I am joined by Claudia Moreno Pisano, discussing her most recent book, Amiri Baraka and Edward Dorn: The Collected Letters.


From the end of the 1950s through the middle of the 1960s, Amiri Baraka & Edward Dorn, two self-consciously avant-garde poets, fostered an intense friendship primarily through correspondence. The early 1960s found both poets just beginning to publish and becoming public figures. Bonding around their commitment to new and radical forms of poetry and culture, Dorn and Baraka created an interracial friendship at precisely the moment when the Civil Rights Movement was becoming a powerful force in national politics. The major premise of the Dorn-Jones friendship as developed through their letters was artistic, but the range of subjects in the correspondence shows an incredible intersection between the personal and the public, providing a schematic map of what was so vital in postwar American culture to those living through it.

Their letters offer a vivid picture of American lives connecting around poetry during a tumultuous time of change and immense creativity. Reading through these correspondences allows access into personal biographies, and through these biographies, profound moments in American cultural history open themselves to us in a way not easily found in official channels of historical narrative and memory.


“Baraka and Dorn were at the very heart of two of the most significant developments in American literature in the decades after World War II, the so-called New American Poetry and the Black Arts Movement. That fact alone makes this book one that will interest scholars and poets in many otherwise divergent communities. The letters commence near the beginnings of these two artists’ careers. We not only witness the poetic development of these two crucial figures, but we witness it against the background of the evolution of the Civil Rights Movement into the Black Power era. And both writers have much to say about the unfolding revolution in jazz that was taking place alongside the explosive social transformations of American society. The book is filled with significant surprises.”—Aldon Lynn Nielsen, author of Reading Race

“These two poets had to struggle to make a living. Baraka was making a transition during the years he corresponded with Dorn from the predominantly white New York avant-garde scene to the black nationalist politics of the mid and late 1960s. Through much of this period Baraka worked tirelessly on Dorn’s behalf just to get his manuscripts published. These letters give readers a sense of the generous collaboration of avant-garde poets in the 1960s.”—Robert 
von Hallberg, author of American Poetry and Culture, 1945–1980

Genre

Jazz,

Sunday 3/08/2015 @ 3:00PM - 6:00PM